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hardwick handmade

*Dedicated to high quality ceramic vessels

“Elegant, yet playful pottery for everyday use”

To order, please contact Matthew Hardwick at hardwickhandmade@gmail.com

Porcelaneous Stoneware: Atmospheric work is paddled, beaten and moved by hand. Found objects and fabricated wooden paddles are utilized to pound ceramic material into bisque and wooden molds. The bisque molds are created by carving or impressing the surface with textured items; the wood molds are textured with chainsaws, 4″ grinders and reciprocating saws. The dried ceramic forms once removed from the molds, are fired in several kiln environments that produce varied surfaces. It is through spontaneous decisions and natural events unfolding via kiln atmosphere, temperature, added combustibles and time that the surfaces are built, creating unique individual vessels. No two items will ever be created the same. This process heavy way of making creates beautiful, organic and sometimes unexpected surfaces, colors and textures.

Earthenware: The wheel is utilized to create form. Flat surfaces are sought to lay down colored effects. The paints are liquid clay formulated in the hardwick handmade studio, so they may be easily applied. The painted and stamped brilliant colors are covered with a translucent glaze, the work is fired in electric kilns which allow the colors to retain their brightness. Though this work is more easily replicated, each piece is still one of a kind. Colors of clay and slip as well as the surface quality of transparent glaze will vary depending on temperature, time and cooling speed.

Ceramic Material Log

Gallery

Images of my porcelaneous stoneware work from the last few years. Atmospheric firing is used to add to the clay surface either by flashing the clay body, adding to the glaze chemistry or both.

Bottle 2022 wood fired cone 12, 9x6x4″
Bottle 2022 wood fired cone 12, 9x6x4″
Planter 2018 Wood/Salt Fired Cone 10, 9x6x6
Vase in Strictly Functional exhibition in Lancaster, PA 2019
Vase 2018 Wood/Salt Fired with Amber glaze 11x6x6″
Shaner Oribe glaze going into a phase seperation causing the color to turn blue with micro crystals
Bourbon, Sake, Tea cup 2018 Wood/Salt Fired 4x4x3″
Amber glaze is bleached by the salt thrown into the kiln at cone 10
Bourbon, Sake, Tea cup 2018 Wood/Salt Firing 4x3x3″
Vessel 2022 Wood fired, 5x4x3″
Only glaze is placed on the inside of the three cups
Bourbon, Sake, Tea cups with Tray 2017 Wood/Salt Firing 4x3x3″
Bourbon, Sake, Tea cups with Tray 2018 Soda Firing 4x3x3″
Bourbon, Sake, Tea cup 2033 Wood Firing 4x3x3″
Bourbon, Sake, Tea cup 2022 Wood Firing 3x4x4″
Manganese blue glaze is picking up purple crystals on the inside of the cup in oxidized area of the kiln
Bourbon, Sake, Tea cup 2017 Wood/Salt Firing 4x3x3″
Raw clay body is rough and oxidized as this cup was in a cool part of the kiln
Bourbon, Sake, Tea cup 2017 Wood/Salt Firing 4x3x3″
Oribe glaze inside with raw clay showing elseware
Bourbon, Sake, Tea cup 2018 Wood/Salt Firing 4x3x3″
Amber glaze melted away by salt thrown into the kiln at cone 10
Bourbon, Sake, Tea cup 2018 Wood/Salt Firing 3x3x3″
Bourbon, Sake Tea cup 2019 Wood/Salt Firing 4x3x3″
Manganese blue glaze is picking up a purple drip in the back of the cup. This cup was wadded on its backside and placed in a heavily reduced part of the kiln.
Bourbon, Sake, Tea cup 2017 Wood/Salt Firing 4x3x3″
Bourbon, Sake Tea cup 2019 Wood/Salt Firing 4x3x3″
glazed with a yellow/green satin glaze make from pumice
Bourbon, Sake, Tea cup 2017 Wood/Salt Firing 4x3x3″
Tenmoku glaze on the inside of the cup is brown from the salt causing it to run down into the bottom of the cup where the color is more black. This cup is also slightly under fired, so the glaze is brown because of that as well
Bourbon, Sake, Tea cup 2017 Wood/Salt Firing 4x3x3″
Amber glaze on interior
Bourbon, Sake, Tea cup 2016 Wood/Salt Firing 3x3x3″
Magnesium blue glaze with purple crystals on the interior
Bourbon, Sake, Tea cup 2016 Wood/Salt Firing 3x3x3″
Amber glaze on the interior
Tri-lobed tray 2016 Wood/Salt fired 5x5x2″
Blue Magnesium glaze on the interior with raw clay on the outside
Bourbon, Sake, Tea cup 2016 Wood/Salt Firing 3x3x3″
Amber glaze engulfs the entire form, fired on seas shells
Star Tray 2016 Wood/Salt Fired 5x5x2″
Magnesium blue glaze was placed in a section that had a cool spot across half of it. Only purlple crystals show in half of the plate.
Butterfly Plate 2016 Wood/Salt fired 11x8x4″
Amber glaze inside and out
Vase 2016 Wood/Salt fired 8x4x4″
Shaner Oribe glaze on the inside of a salt glazed porcelaneous piece
Dessert Lobed Bowl 2016 Wood/Salt fired 5x5x4″
Bizen fired piece of porcelaneous stoneware
Star Tray 2016 Wood/Salt Firing 5x5x2″
Interior image of a porcelaneous tray with yellow/green pumice glaze
Tray 2016 Wood/Salt fired 5x5x1″
Magnesium blue glaze with purple crystals fired in an oxidized area of the kiln
Dessert Bowl 2016 Wood/Salt Firing 5x5x4″
Yellow/green pumice glaze on both interior and exterior
Bourbon, Sake, Tea cup 2016 Soda Firing 4x3x3″
Loose- Amber glazed inside and out
Bourbon, Sake, Tea cup 2016 Wood/Salt Firing 3x3x3″
Bourbon, Sake, Tea Cups 2018 Wood firing, 4x3x3″ each
Bourbon, Sake, Tea Cups 2022 wood firing, 3x3x3″ each

About

About… hardwick handmade

Pottery is not just something Matthew does- It is a passion- an obsession.

Born and raised in Virginia, Matthew Hardwick started making pottery in 1986 in high school before continuing this medium at James Madison University.  Following a friends advice he moved to Northern New Mexico in 1993 to explore and experience the Southwestern United States.  Preparing for the move he discovered that Santa Fe, New Mexico would be a perfect fit for an adventurous artist ready to feed a hunger for creativity. This whim to see something different, made him grow as an individual and opened his eyes to the diversity and complexity of the world around him.

Altogether, Matthew enjoyed fifteen years in Santa Fe. There he honed his skills in ceramic production, building upon his love of clay completely committed to the community which embraced him. He worked at multiple potteries where he learned the fundamentals of making and designing pottery. He hiked extensively in the desert and the Rocky Mountains and built connections with individuals that will last a lifetime.

In the midst of his time spent in the Southwest, his life led him to Denver, CO and finally to the Roaring Fork Valley where he worked at a non-profit not only learning, but teaching K-8th grade students pottery, tile work, organic gardening and resource efficient construction. Permaculture and energy efficiencies became an important part of his life and remain so to this day. There important ceramic artists entered his life, ones that not only encouraged him as an artist and as an individual, but ones that made him proud to be an artist and maker.

Boom, he wound up in Lincoln Nebraska; one of the premier ceramic graduate programs in the United states where he studied with Gail Kendall, Eddie Dominguez and Pete Pinnell. Guest artists were brought in from around the world including Gail Nichols, Ian Currie and Sarah Jaeger, but it was his peers who on an every day basis, tested whether he would continue to create with ceramics.  He achieved a Masters degree in Art with a concentration in Ceramics, from the University of Nebraska-Lincoln.

$400.00 for set of 6pcs. Usually $80.00 each. 5″x5″x2″

Afterwards, he moved back to Santa Fe, New Mexico and reestablished his pottery career. His experience and contacts allowed him the honor of teaching at Santa Fe Clay and the Institute of American Indian Arts. He got his old job back where his education in pottery production culminated in daily contact with Jenny Lind and Allan Walter. Their guidance in seemingly how to make pottery and art, but really how to work with people and treat people made a huge impact on how he lives his day to day life.

Eventually, he moved away from production pottery and established a new career in manufacturing which built upon his creative knowledge and not only taught him efficiencies and cost reduction techniques, but how to implement them in the workplace. It was a step he felt he needed, to grow his managerial skill as well as the size of his paycheck.  As a production and quality manager he spent four years  remotely managing an office in Northern China and another year managing a Hong Kong office. Long days and nights taught Matthew a great deal about what he wants and doesn’t want in his life.

Currently, he has moved back to Virginia, close to where it all began for him, but not too close if you know what I mean. His proximity to friends and family pleases him as does the time he has to make pottery and promote this business.

Contact

hardwickhandmade@gmail.com

Feel free to contact me with any questions about my website or the vessels I love to make. I’m open to any questions and I’ll get back to you as soon as I can. hardwickhandmade@gmail.com is my work email here in Broadway, Virginia.