I am part of the RVA Clay Studio Tour this year. They have been doing it for 4 years now, but his is my first time participating. All my work is going to be out and available for purchase. Both my electric low fire earthenware dinnerware and my wood/salt fired porcelaneous stoneware will be for sale.
I will have snacks and drinks for your pleasure along with the pottery and ceramic vessels available for purchase.
TJ Edwards will be joining me for the sale and he will have pottery and sculpture that he makes down Route 5 in New Charles. His work is beautiful and also available for purchase.
WordPress has revised how the website can be created, so I am in the process of making a store. I’m very excited that I can have a full store set up soon. Don’t hold your breath as soon may not be too soon, but I’m still excited.
Part of my remaking this store is in response to my applications to NCECA and local stores this summer as well as my applications to a couple fairs/markets. I hope I get in and can make enough artwork for them all.
So far, I’m going to have a solo show next March. I’m currently selling at the Pop-Shop by Jo Louise, which is very exciting. The women that work there are some of the best salespersons I’ve ever met. Thank you so much, to them.
December 1 &2 I was the guest artist at Pocahontas State Park. The current CCC Museum was once a craft building built for the community to make arts and crafts in 1939. A wood kiln was built as well on the grounds to support pottery making.
Each day I threw pottery and did a hand built workshop where the students made pinch pots and worked on different techniques such as rolling coils, attaching slabs, creating textures and making handles for cups.
The rangers did clay workshops with children and built a fire near the kiln. The made smores in the afternoon and talked to people walking or hiking by.
The weather was overcast, but being in the woods and making pottery outside was very cool.
I enjoyed all the volunteers that helped out and the park rangers who participated in making the event a success.
Maybe, next time the weather will be nicer and there will be more people. Either way I would love to work there again. What a great time.
Last weekend I fired twice getting out several plates for a dinnerware order. Pictured here are the ones I have not sold. I did several Virginia native wildflower designs as well as geometric and Eastern songbird designs. I really liked working on them.
Each style is working for me, but I like to change them a bit each time I do them to (in my mind) make them better or maybe, just to tickle my mood.
I’ve finished painting the bowls and have moved on to painting the plates for my Eastern Songbird commission. I’ve very excited as the results are turning out better than I anticipated. Some bowls are glazed and out of the kiln as indicated by the featured image of this article, but others are still waiting to be fired. This weekend I will finishe painting the plates. My last one to do is the Goldfinch which takes extra time as I have the bird sitting on a group of sunflowers that requires more work. Luckily, I love what I do.
This picture was taken after the underglaze was painted, but before it was glazed. The color is muted, but will pop once the durable clear glaze reaches temperature of 1948 degrees Fahrenheit.
The bird cup is an example of what can be done with this imagery on other forms.
I completed a new sample series that came out of the kiln last weekend and looked really good. I made a chickadee bowl, a goldfinch bowl and a titmouse bowl with an abstract pattern background.
All my work playing around with backgrounds is starting to pay off. I’m using a combination of painterly brushwork and stamped color that together is organic and colorful. It took a while to find something subtle enough that let the birds stand out.
My next round of imagery should be just what I want. 🙂