December 1 &2 I was the guest artist at Pocahontas State Park. The current CCC Museum was once a craft building built for the community to make arts and crafts in 1939. A wood kiln was built as well on the grounds to support pottery making.
Each day I threw pottery and did a hand built workshop where the students made pinch pots and worked on different techniques such as rolling coils, attaching slabs, creating textures and making handles for cups.
The rangers did clay workshops with children and built a fire near the kiln. The made smores in the afternoon and talked to people walking or hiking by.
The weather was overcast, but being in the woods and making pottery outside was very cool.
I enjoyed all the volunteers that helped out and the park rangers who participated in making the event a success.
Maybe, next time the weather will be nicer and there will be more people. Either way I would love to work there again. What a great time.
Last weekend I fired twice getting out several plates for a dinnerware order. Pictured here are the ones I have not sold. I did several Virginia native wildflower designs as well as geometric and Eastern songbird designs. I really liked working on them.
Each style is working for me, but I like to change them a bit each time I do them to (in my mind) make them better or maybe, just to tickle my mood.
I’ve finished painting the bowls and have moved on to painting the plates for my Eastern Songbird commission. I’ve very excited as the results are turning out better than I anticipated. Some bowls are glazed and out of the kiln as indicated by the featured image of this article, but others are still waiting to be fired. This weekend I will finishe painting the plates. My last one to do is the Goldfinch which takes extra time as I have the bird sitting on a group of sunflowers that requires more work. Luckily, I love what I do.
This picture was taken after the underglaze was painted, but before it was glazed. The color is muted, but will pop once the durable clear glaze reaches temperature of 1948 degrees Fahrenheit.
The bird cup is an example of what can be done with this imagery on other forms.
I completed a new sample series that came out of the kiln last weekend and looked really good. I made a chickadee bowl, a goldfinch bowl and a titmouse bowl with an abstract pattern background.
All my work playing around with backgrounds is starting to pay off. I’m using a combination of painterly brushwork and stamped color that together is organic and colorful. It took a while to find something subtle enough that let the birds stand out.
My next round of imagery should be just what I want. 🙂
I was able to see the Freer Gallery in Washington, DC this past weekend. It is my favorite museum on the Mall and I really enjoyed seeing the treasures they have there.
There were only a few different items set up in the 20 rooms they show items in, but it was worth the trip. They had a Japanese tea room utensil set up which I really admired among the other items.
Whistler’s paintings were also up and they had 3 of the Nocturne paintings that I really like. I’ve been thinking of including them in my paintings. I think the Nockturne idea will work well with the goblins and dark fairies I’ve been trying to create as imagery.
In the 80’s I was lucky enough to inspect the vault below the Freer. I hope to do that again once I can get enough people together to do it. It is free, but you have to arrange a meeting. They may have a minumum amount of people to go as well.
I just finished a weekend showing my work at a craft fair at Hardywood Brewery. There were a little over 60 booths showing their wares and trying to move their merchandise to at least a thousand people a day. It was a great turnout and I’d like to say thank you to the vendors around me that were nice and gracious with advice.
What a great show! I hope I get in to do it again next year.