These pots were fired in a 2 chamber woodkiln by Tree Hill Pottery. They fire with revitalized wood scraps and logs found in the Richmond, VA area. The kiln fires from cone 6 to cone 11 in oxidation and reduction depending on the area of the kiln. The following work represents my glaze tests in different locations of the wood/salt chamber of the kiln.
Magnesia glaze on the inside with 3% iron as a colorant. This cup was once fired in a wood/salt atmosphere to cone 10. Cup was hand built over a wood hump mold with texture added to the outside by pressing and paddling with hand made and found wooden sticks.
Wood/Salt fired cup with woodash celadon glaze in the Chinese Longuan celadon tradition.
Trans Clear Pumice Glaze that can be found on Glazy.org This glaze is high in Calcium Carbonate and goes clear green where thick in reduction atmospheres over 1260 degrees cooled quickly. In an oxidized atmosphere this glaze goes clear/yellow. This cup is clear/yellow on the inside and clear/green on the outside indicating 2 different atmospheres at different times in teh firing.
VC Matte base. This cup has crystals from dark brown to green. The clay body looks reduced, but the interior of the cup looks oxidized and is a buttery yellow. My guess is the outside is showing carbon trapping from early in the firing producing the dark brown color. The green color may be coming from the salt in the kiln, but more tests are necessary.
Fake Ash glaze is darker and more brown on the exterior. Interior is showing more rivulets with more yellow coloration. Glaze has over 40% calcium carbonate, but has not run much. So, very possible the temp was not at cone 10. Surface is dry, but mature.
This is one of many tests for a blue celadon. It is showing a blue/green cast, but glaze needs to be much thicker. Glaze analysis was pulled from Nigel Wood’s book Chinese Glazes. Next firing will be same unaltered glaze with thicker application. Slight crystallization is evident.
Current sculptural vessels by Matthew Hardwick are on display now at Black Iris Gallery- 321 W. Broad Street, Richmond, VA 23220. Opening Reception is March 6th from 5:30pm -10pm with accompaning ambient guitar by Hunter Duke.
This work explores time signatures left by textural paddles and sticks that are thrust and beaten into the clay over wooden and bisque molds that are carved with chainsaws, grinders, chisels and knives. The texture left by these tools is a physical manifestation of time; an interpretation of Matthew’s mortality.
The clay bodies are new and were formulated to show off flashing from the atmospheric kilns used to obtain them. The glazes create surfaces that contrast and highlight the surface texture.
The show is open through the month of March with a reception tomorrow, Friday March 6th and a closing reception on March 27th, 8-11pm to correspond with NCECA. This is a venue originated event in conjunction with NCECA and is on the bus tour during the last week of March.
The show was a success and thanks for all the support from those that attended the March 6th reception. The 2nd reception and NCECA was canceled, unfortunately, but it was a great experience to have my work up for a month and have locals get a chance to see more of my work.
A friend let me use his soda kiln to fire my work last weekend. Here is the open kiln as I saw it a couple days after the firing. The firing was a little cold, but I learned alot from it and hope to use many of the pieces in my shows this coming spring.
What I learned the most was how my glazes work in soda. Some did not turn out how I wanted them to, but some came out great. My core 3 glazes looked great and I can’t wait to use them again. there were maybe three other test glazes that I will mix up again. Also, there were several glazes that did not work and I hope to sieve them to get the materials to mix better in the firing and perhaps work next time.
I’m looking forward to firing soda again, though I dont’ know when that will be, but I hope to do some tests again soon to see if sieving a glaze will improve how it looks.
I am part of the RVA Clay Studio Tour this year. They have been doing it for 4 years now, but his is my first time participating. All my work is going to be out and available for purchase. Both my electric low fire earthenware dinnerware and my wood/salt fired porcelaneous stoneware will be for sale.
I will have snacks and drinks for your pleasure along with the pottery and ceramic vessels available for purchase.
TJ Edwards will be joining me for the sale and he will have pottery and sculpture that he makes down Route 5 in New Charles. His work is beautiful and also available for purchase.
WordPress has revised how the website can be created, so I am in the process of making a store. I’m very excited that I can have a full store set up soon. Don’t hold your breath as soon may not be too soon, but I’m still excited.
Part of my remaking this store is in response to my applications to NCECA and local stores this summer as well as my applications to a couple fairs/markets. I hope I get in and can make enough artwork for them all.
So far, I’m going to have a solo show next March. I’m currently selling at the Pop-Shop by Jo Louise, which is very exciting. The women that work there are some of the best salespersons I’ve ever met. Thank you so much, to them.
Last weekend I fired twice getting out several plates for a dinnerware order. Pictured here are the ones I have not sold. I did several Virginia native wildflower designs as well as geometric and Eastern songbird designs. I really liked working on them.
Each style is working for me, but I like to change them a bit each time I do them to (in my mind) make them better or maybe, just to tickle my mood.
Yes, the annual firing was done the week after Thanksgiving and I went and picked up my pottery last night.
I am so thankful for Mike and Alex firing my pots at Tree Hill Pottery, here in Richmond, VA. My work turned out great and I’m excited to show you the results.
I reformulated my clay body to create a red flashing clay body. Unfortunately, I failed again. I researched and studied flashing bodies in Graduate School and lost the recipes I created, so now I’m working to create a new body with less expensive and readily available ingredients.
I have 4 glazes that are really looking good in the firing. My favorites are the Tenmoku, Amber, Cobolt and Pumice. I have a great Oribe, but didn’t use it in this firing. My next glaze will be a white.
I hope you like these as much as I do. They are an Asian aesthetic. The cups are small holding 5-6oz. The trays are 14-16in long.