I’ve finished painting the bowls and have moved on to painting the plates for my Eastern Songbird commission. I’ve very excited as the results are turning out better than I anticipated. Some bowls are glazed and out of the kiln as indicated by the featured image of this article, but others are still waiting to be fired. This weekend I will finishe painting the plates. My last one to do is the Goldfinch which takes extra time as I have the bird sitting on a group of sunflowers that requires more work. Luckily, I love what I do.
This picture was taken after the underglaze was painted, but before it was glazed. The color is muted, but will pop once the durable clear glaze reaches temperature of 1948 degrees Fahrenheit.
The bird cup is an example of what can be done with this imagery on other forms.
I completed a new sample series that came out of the kiln last weekend and looked really good. I made a chickadee bowl, a goldfinch bowl and a titmouse bowl with an abstract pattern background.
All my work playing around with backgrounds is starting to pay off. I’m using a combination of painterly brushwork and stamped color that together is organic and colorful. It took a while to find something subtle enough that let the birds stand out.
My next round of imagery should be just what I want. 🙂